A


Alperson, Philip A., The Philosophy of the Visual Arts. Oxford University Press, New York, NY, 1992

Arnheim, Rudolf, Thoughts on Art Education. The Getty Center for Education in the Arts, Los Angeles, CA, 1989.

Arnheim, Rudolf, Art and Visual Perception: A Psychology of the Creative Eye. University of California Press, Berkeley, CA, 1974.

Akeret, R.U. (1973) How to Interpret the Hidden Psychological Meaning of Personal

Photographs, New York: Peter H. Wyden, Inc.

B


Barrett, T. (2000) Criticizing Photographs: An Introduction to Understanding Images,

California: Mayfield Publishing Company.
Bailey, George W. S. and Carroll, Noel (eds.), Theories of Art Today. University of Wisconsin Press, Madison, 2000.

Bolton, R. (1989) The Contest of Meaning: Critical Histories of Photography, Massachusetts: Massachusetts Institute of Technology. 0-262-52169-5

Boni, Albert, ed., Photographic Literature: An International Bibliographic Guide, New York, 1962.

Börsch-Supan Helmut. Die Deutsche Malerei von Anton Graff bis Hans von Marees 1760 - 1870.

(фундаментальное исследование немецкой живописи)

Bright, Susan. Art photography now. New York: Aperture, 2005.

Barrett, Terry, Criticizing Photographs. Mayfield Publishing Company, Mountain View, CA, 1999.

Berger, John,Ways of Seeing.Viking Penguin, New York, NY, 2002.

Breckenridge, J. D., Likeness: A Conceptual History of Ancient Portraiture, 1968

Brilliant, R. Portraiture, 1991

Brooke, James T., A Viewer’s Guide to Looking at Photographs. Aurelian Press,Wilmette, IL, 1977 (out of print).

Burgin, Victor, ed., Thinking Photography, London, 1982.

c


Cartier-Bresson Henri, The Decisive Moment (New York, 1952)

Christopherson, Richard W. Making Art With Machines: Photography’s Institutional Inadequacies. Urban Life and Culture, Vol. 3, No. 1, April 1974, pages 3-34.

Christopherson, Richard W. From Folk Art To Fine Art: A Transformation in the Meaning of Photographic Work. Urban Life and Culture, Vol. 3, No. 2, July 1974, pages 123—157.

Coe, Brian and Gates, Paul, The Snapshot Photograph: The Rise of Popular Photography, London, 1977.

Covino, F. The Fine Art of Portraiture, 1971

Cohen, joyce Tennison, ed., In/Sights: Self-Portraits by Women, London, 1979.

Coke, Van Deren, The Painter and the Photographer: From Delacroix to Warhol, Alberquerque, 1964, reprinted 1972.

Colnaghi, P., Photography: The First Eighty Years, New York, 1976.

Craven, W. Colonial American Portraiture, 1986

Croy, O. R., The Photographic Portrait, London, 1968.

 

D


Donnan, Christopher B. Moche Portraits from Ancient Peru University of Texas Press, 2004

E


Ewing William A. Face: The New Photographic Portrait

The first full-scale study of the face in contemporary photography: a challenge to accepted notions of what constitutes a portrait.

F


Freund, G., Photography and Society, London, 1980.

Max J. Friedländer; R. F. C. Hull. Landscape, Portrait, Still-Life: Their Origin and Development, Schocken Books, 1963

Fulvio, A.  Roman Portraits, 1981

Furst H. Portrait Painting. Its Nature and Function. London, 1927 

 

G


Galassi, Peter, Before Photography: Painting and the Invention of Photography, New

York, 1981.

Gernsheim, H., Creative Photography: Aesthetic Trends, 1839-1960, London, 1962.

Gordon C. Aymar. The Art of Portrait Painting. — Philadelphia: Chilton Book, 1967.

Giuseppe Ghini. ВЛАСТЬ ПОРТРЕТА. (Икона, русская литература и табу на портрет) // Toronto Slavic Quaterly. University of Toronto · Academic Electronic Journal in Slavic Studieshttp://www.utoronto.ca/tsq/11/GiuseppeGhini.shtml

Gräf R. Das Pastell im 18 Jarhundert. München. 1982 (философское осмысление феномена французской пастельной живописи XVIII в.)

H


Hall, James, The Self-Portrait: a Cultural History, Thames and Hudson Ltd, 2014

Hammond, Arthur. "Pictorial Composition in Photography"

Hartmann, Sadaichi, The Valiant Knights of Daguerre, Berkeley, 1978.

Haworth-Booth, Mark, ed., The Golden Age of British Photography: 1839-19°0, Millerton, NY, 1984.

Heyert, E., The Glass-House Years: Victorian Portrait Photography 1839-187°, London, 1979·

Hill, B., ]ulia Margaret Cameron: A Victorian Family Portrait, London, 1973. 

Hirsch, julia, Family Photographs: Content, Meaning and Effect, New York and Oxford, 1981 .

I

прочерк

J

прочерк

K


Keating, Patrick. "From the Portrait to the Close-Up: Gender and Technology in Still Photography and Hollywood Cinematography", Cinema Journal 45, No. 3, Spring 2006

Kenyon, D. Inside Amateur Photography, London: Batsford. 1992

 Kinstler,  E. Painting Portraits, 1971

Kozloff Max. The Theatre of the Face. Portrait Photography Since 1900

(Книга охватывает многие стили и направления, в том числе рассматривает работы пионеров фотографии Эдварда Шерифф Кертиса, оригинальные произведения Уокера Эванса, Сесил Битон, Мартина Парра, Синди Шерман, Филиппа-Лорки ди Корсиа и многих других)

Knoppers, Laura Lunger, The Politics of Portraiture: Oliver Cromwell and the Plain Style, Renaissance Quarterly, Vol. 51, No. 4, Winter 1998

L


Lassam, Robert, Portrait and the Camera, London, 1989.

Lemagny, jean-Claude and Andre Rouille, eds., trans., janet Lloyd, A History of Photography: Social and Cultural Trends, Cambridge, 1987.

Lester, P.M. (2000) Visual Communication: Images with Messages, Belmont: Wadsworth/Thompson Learning. 0-534-56142-X

Lesey, Michael, Time Frames: The Meaning of Family Pictures, New York, 1980.

Lyons, Nathan, ed., Photographers on Photography: A Critical Anthology, Englewood Cliffs, Nj, 1956.

M


Maddow Ben, Faces: A Narrative History of the Portrait in Photography (Boston, 1977),

McCauley, E. A., Likenesses: Portrait Photography in Europe, 1850-1870, Alberquerque, 1980.

N


Nicholson Robin,  Bonnie Prince Charlie and the Making of a Myth: A Study in Portraiture, 1720-1892, Bucknell University Press, 2002

Norbert Schneider. The Art of the Portrait: Masterpieces of European Portrait-painting, 1420—1670. Taschen 2002

O


Ovenden, G., Pre-Raphaelite Photography, London, 1972.

P


Pennington, Estill Curtis, Lessons in Likeness: Portrait Painters in Kentucky and the Ohio River Valley, 1802-1920 : Featuring Works from the Filson Historical Society, University Press of Kentucky, 2011 

Phillips, C. (1989) Photography in the Modern Era: European Documents and Critical Writings, 1913–1940, New York: Metropolitan Museum of Modern Art/Aperture

Q

прочерк

R

Rabb, J.M. (1995) Literature & Photography: Interactions 1840–1990: A Critical Anthology, Albequerque: University of New Mexico Press.

S


Sander, August . Photographs of an Epoch, 1904-1959,

Saisselin, Rémy G., Style, Truth, and the Portrait, Cleveland Museum of Art, 1963 

Simon, R. The Portrait in Britain and America, 1987

Schreiber, G. Portraits and Self-Portraits, 1968

Schneider, Norbert. The Art of the Portrait: Masterpieces of European Portrait-painting, 1420—1670. Taschen 2002

Stroebel, Leslie D., and Hollis N. Todd. Dictionary of contemporary photography. Dobbs Ferry, NY: Morgan & Morgan, 1974.

Schar£, Aaron, Art and Photography, Harmondsworth, 1968.

Sontag, Susan, On Photography, London, 1978.

Sontag, S. (2003) Regarding the Pain of Others, London: Penguin Books: Hamish Hamilton.

Steichen, Edward, ed., The Family of Man, New York, 1955.

Stieglitz, Alfred, Georgia O'Keeffe, A Portrait, New York, 1978.

Szarkowski, john, Looking at Photographs, New York, 1973.

Scott, C. (1999) The Spoken Image: Photography and Language, London: Reaktion Books.

Shore, S. (1998) The Nature of Photographs, Baltimore: The John Hopkins University Press. 

Solomon-Godeau, A. (1991) Photography at the Dock: Essays on Photographic History, Institutions, and Practices, Minneapolis: University of Minnesota Press.

 

T

Thompson, Jerry L. Truth and photography: notes on looking and photographing. Chicago: Ivan R. Dee, 2003.

Tagg, J. (1988) The Burden of Representation: Essays on Photographies and Histories,

London: Macmillan Education Ltd. 

Thody, P. and Course, A. (1997) Barthes: For Beginners, Cambridge: Icon Books.

Trachtenburg, A. (1980) Classic Essays on Photography, New Haven, Conn: Leete’s Islands Books. 

Turner, P. and Badger, G. (1988) Photo Texts, London: Travelling Light.

U

прочерк

V


Vaizey, M., The Artist as Photographer, London, 1982.

W


Waetzoldt W. Die Kunst des Porträts. Leipzig, 1908; Einführung in die bildenden Künste, 1-2. Leipzig, 1912

Weaver, Mike, The Photographic Art: Pictorial Traditions in Britain and America, London and New York, 1985.

 Wendorf, Richard, The Elements of Life: Biography and Portrait-Painting in Stuart and Georgian England, Oxford University Press, 1990

X

Y

Z